Elizabeth Holmes Documentary 'You Can See Everything' | Nathan Fielder A24 Movie, Trailer & Review

Elizabeth Holmes’ story has already inspired documentaries, podcasts, books, and Hulu’s The Dropout. But Nathan Fielder and Lance Oppenheim are approaching the disgraced Theranos founder from a far stranger and more intimate angle. Their A24 documentary, You Can See Everything, begins 34 days before Holmes reported to federal prison and follows what became a three-year filmmaking journey.

The project made its surprise world premiere at the Telluride Film Festival on September 6, 2026. Audience members entered without knowing what they were about to watch and were required to secure their phones before the nearly three-hour screening. With A24 now promoting the film for an October theatrical release, here is what we know about its story, unusual format, trailer, and early reviews.

Nathan Fielder’s Elizabeth Holmes Documentary Surprises Telluride

The Telluride Film Festival pulled off one of its biggest surprises of the 2026 festival with a secret screening of A24’s new Elizabeth Holmes documentary, You Can See Everything. The film was unveiled on September 6, with audiences required to lock away their phones and other recording devices before entering the Werner Herzog Theatre. The screening was kept completely phone-free, adding even more mystery to a film that had been made quietly for years.

Co-directed by Nathan Fielder and filmmaker Lance Oppenheim, You Can See Everything takes an unusually intimate and unpredictable look at the former Theranos founder. Fielder, known for Nathan for You, The Rehearsal, and The Curse, brings his reality-bending style to a story that has already been extensively covered.

The documentary begins 34 days before Holmes was due to report to federal prison, when Holmes and her partner, Billy Evans, gave Fielder, Oppenheim, and their crew access to their family life. What initially looked like a portrait of Holmes’ final weeks before incarceration eventually developed into a three-year filmmaking project that became far more unpredictable than the filmmakers first expected.

Running for 174 minutes, the film mixes real-life footage with reenactments and unusual twists. Early reactions from critics have called the movie wild, unsettling, and psychologically intense.

The reenactments are not simply visual recreations of past events. According to early reviews, they become part of the filmmakers’ attempt to understand Holmes, blurring the boundaries between observation, interpretation, and performance.

After the screening, Oscar-winning actress Emma Stone moderated a Q&A with the filmmakers, adding another high-profile moment to the unexpected premiere.

Fans will not have to wait much longer to see what all the mystery is about. A24 released the first official teaser following the film’s Telluride premiere and confirmed that You Can See Everything will arrive exclusively in theaters this October.

Inside 'You Can See Everything': What Happened in Holmes’ Final 34 Days of Freedom

What really happened inside Elizabeth Holmes’ home during the final 34 days before she went to prison? You Can See Everything takes viewers into that unusual period, following Holmes, her partner Billy Evans, and their two children as Nathan Fielder and Lance Oppenheim begin filming. The 174-minute documentary starts as an intimate look at Holmes’ life but gradually becomes something far more unexpected.

Fielder becomes increasingly embedded in Holmes and Evans’ household, spending extended periods with the family and gradually becoming part of the documentary’s story. The documentary reportedly includes Holmes discussing her continued interest in healthcare technology and the possibility of returning to the field after prison. These are Holmes’ stated ambitions, not confirmed or independently validated medical projects. Rather than simply retelling the Theranos scandal, the film explores Holmes as she tries to shape her own story while facing prison.

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What makes the documentary different from earlier Holmes projects is the level of access. Holmes and Evans opened their home to the filmmakers as part of what they described as an effort toward “radical transparency,” but the filmmakers gradually found themselves questioning whether they were documenting Holmes’ life or becoming part of the story she wanted to tell.

"Of Course I'm Not Deceiving You": Breaking Down the Uncomfortable First Trailer

The first teaser for A24’s You Can See Everything wastes no time creating an uncomfortable moment between Nathan Fielder and Elizabeth Holmes. In the short clip, Fielder directly questions the convicted Theranos founder, while Holmes insists that she is “always being real.” Their tense exchange gives viewers an early look at the unusual and deeply personal approach the documentary takes.

The trailer arrived after the film’s surprise screening at the Telluride Film Festival, where it quickly became a major talking point. Instead of simply revisiting the Theranos scandal, the documentary appears to put Holmes face-to-face with questions about her past and the way she sees herself.

‘You Can See Everything’ Release Window, Reviews and Where to Watch

A24’s secret Elizabeth Holmes documentary You Can See Everything has already become one of the most talked-about films after its surprise premiere at the Telluride Film Festival. Co-directed by Nathan Fielder and Lance Oppenheim, the 174-minute documentary takes viewers inside Holmes’ life during the final days before she began her prison sentence. Now, fans are eager to know when they can finally watch the film.

A24 has confirmed that You Can See Everything will receive a theatrical release in October 2026. Some outlets have reported an October 16 date, although A24’s official listing had not confirmed that specific date as of September 10.

The first reviews from Telluride are now in, and critics have largely agreed that You Can See Everything is anything but a conventional documentary. Reviews have highlighted its strange blend of reality, performance, dark humor, and psychological tension, while praising Fielder and Oppenheim for taking Holmes’ story in an unexpected direction.

The documentary does not simply go over the Theranos scandal again. Instead, it takes viewers much closer to Holmes and her family, showing what her life looked like before prison. What starts as a personal look at her final days of freedom slowly becomes much more unexpected as Fielder becomes part of the household. Despite its nearly three-hour runtime, the film has kept early viewers hooked with its strange twists and tense moments.

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In the footage, Fielder questions Holmes about whether she is being truthful, while Holmes insists that she is “always being real.” The brief exchange immediately establishes the uneasy tone of a documentary that is less interested in simply retelling the Theranos scandal than in examining how Holmes understands her own story.

Matt Neglia, founder of Next Best Picture, offered an enthusiastic reaction following the Telluride screening and described it as one of the best documentaries he had seen. Variety characterized the film as an unusual “reality-TV-as-hangout-movie” portrait, while other critics highlighted its unsettling mixture of documentary footage, reenactment, and performance.

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